When I first heard of the art group
named BHAAM I thought that they were maybe a modern equivalent to Futurism or a
Roy Lichtenstein comic-book pop art fan club (although that probably says more
about me), anyway, I think the last thing I expected was to learn that BHAAM (short
for Blackdown Hills Artists and Makers) was a membership organisation of
creative practitioners who live, work, and have an interest in the Blackdown
Hills Area of Outstanding Natural Beauty on the Devon/Somerset border. The
mnemonic of BHAAM, however couldn’t be more appropriately apt as this week saw the opening
of a two years arts project, ‘Skills Unearthed’ and is currently packing a
punch (of the good kind) and making itself known in the South West.
Liz Fathers displays her bloomers amongst an exhibition of cut-outs, sculpture and research about washing at Simonsburrow House, Hemyock. |
At Simonsburrow House in Hemyock, Devon
there is washing on a line, a fair bit of it to and come rain or shine or, well,
more rain (after all we are in Devon!) it continues to hang there sentient in
rows seemingly unaware that it is there to be viewed and maybe even scrutinized
as it makes up the integral part of an exhibition all about laundry!
Artist Liz Fathers has created an exhibition
that documents her exploration of the skills and practice of laundry. Specifically
based on the memories of people living in the Blackdown Hills, Liz has
researched into the cultural background of this domestic practice as it has evolved
over the years with the advancement of electricity, indoor water and washing
machines. Whilst I might not be the biggest fan of actually having to do the
washing it doesn’t take much to convince me that washing laundry and washing
machines and irons can be beautiful as well as interesting, culturally, as
objects. Sold! In fact, it gives me an excuse to bring up the exhibition, ‘Dirt’
I visited and reviewed on this blog at The Wellcome Collection last year.
Similarly to Liz that exhibition and saw artists working with research/items
from the museum’s collection on the subject of waste, washing, dirt, recycling,
health and hygiene.
Liz is one of the most thorough and
prolific researchers I have ever had the pleasure to know and whilst she has
used some of her findings to make some sculptural pieces, silhouette cut-outs
(pictured specifically so I could drop a Kara Walker reference in-heh) and
more. For me the greatest success is that the research becomes the actual art work
itself. Liz knows this, and presents her findings in an openly refreshing way
that is matched with a great sense of humour and conversation (aided by copious
amounts of tea!) that she brings to the work. I’d love to see how she (if she
chooses to) develops this work next.
A site specific trouve of intrigue at the Nissen Hut at Cherry Hayes Farm, Smeatharpe |
Next on our list, was a Nissen Hut
formally used in WW2 and one of several which are in use by the farmer on what
was a formerly used as an airfield. This particular hut however, is kept free
from farming and has a planned future use to be turned into a Museum by South
West Airfields Heritage Trust. In the mean time, it is the perfect location that
both contextualises and in some cases has also inspired the practice of several
of the artists who are exhibiting here. Namely: Carly Batchelor, Ruth Bell,
Sara Dudman, Jon England, Tim Martin, Michelle Ridings and Karin Sabin Krommes.
For example, Sara Dudman’s paintings
have been created taking inspiration from the people and farming activities of
the sheep farm that the Nissen Hut is situated on. Similarly Jon England and
Karin Sabin Krommes (pictured) collaborative photography, ‘investigates the topography and ecology of the Blackdown Hills’ three
World War II airfield sites: Culmhead, Dunkeswell and Smeatharpe (Upottery).
Sited here specifically for their rural isolation the airfields present a
terrain that is at odds with much of the rest of the Area of Outstanding
Natural Beauty.’ Tim Martin’s video piece, about the Young Farmer’s Club
YFC made with the Culm Valley Young Farmers reveals an interesting link to the
origins of the YFC being first established in Hemyock before becoming the
national organisation it is today.
Carly Batchelor -Blackdown Blueprints |
Karin Sabin Krommes at Nissen Hut on Cherry Hayes Farm |
By now our feet were well and truly
frozen, so it was off to our final visit for the day to see Gordon Field at
Otterhead Lodge, Culmhead. Wish I had taken some photos to show you, I’ve had
to pinch one I previously used from the SAW website to give you just one
example of Gordon’s work.
Where Gordon works is more like a
cabinet of curiosities than a studio, filled with objects like those pictured
above, tools, ash tree branches, paintings, ceramics and more and more.
However, the work he has made for ‘Skills Unearthed’ is presented throughout
the Orchard and in the shed on the way up to the studio. Branches that have
been used for dowsing have been painted and then placed in specific locations
throughout the orchard mapping the pathways of badgers and bumble bees that
journey across it. It doesn’t probably get more site-specific than this, but
interestingly as the work influences how the viewer navigates the site of the
orchard and garden, it also makes one consider the relationship within the
greater context of the natural world as a whole. Again, perhaps the highlight
(other than Gordon’s studio) was actually talking with the artist himself, as a
novice myself into the mysterious art/or science of dowsing it was insightful
and interesting to learn more about this ancient skill.
Skills
Unearthed : artworks across seven
different venues in and around the Blackdown Hills can be seen until 3rd - 18th November
(most venues only open weekends please visit link to website below for further
details on opening times and map) Other participating artists include; Andrew
Bell, Louise Cottey, Alice Crane, Katherine Creasey, June Dobson, Sarah George,
Maxine Green, Liz Gregory, Bronwen Gundry, Fiona Hamilton, Nick Meech, Pauline
Rook, Andre Wallace and Gillian Widden.
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